Well, Well, Well, what have we here? But the letter W, of course!
W from the cover of Louisa Venable Kyle’s The Witch of Pungo. Virginia Beach, Va: Four O’Clock Farms Publishing Co., 1988. (PZ7 .K983 Wi 1988. Gift of Edward Gaynor. Image by Anne Causey)
W is for Elizabeth Stuart Phelps Ward
One of the first American feminist writers, Elizabeth Stuart Phelps Ward gained wide-spread popularity in her day. Her novel The Gates Ajar, published four years after the Civil War, was a best seller, depicting heaven as a place where loved ones reconnect after death. Through her writings, she challenged many of the mores of her day, especially those concerning Calvinist traditions. In her forties, she married a man nineteen years her junior, and famously urged women to burn their corsets.
A search of our online records show over 100 entries for Elizabeth Stuart Phelps Ward.
Contributed by George Riser, Collections and Instruction Assistant
Elizabeth Stuart Phelps Ward. (MSS 6997-e. Clifton Waller Barrett Library of American Literature. Image by Petrina Jackson)
Title page of the first printing of The Gates Ajar by Elizabeth Stuart Phelps Ward. (PS3142 .G3 1869. Image by Petrina Jackson)
W is for George Washington
George Washington. Legendary General. First President of the United States. Namesake of the nation’s Capital. His iconic image is with us every day, from the quarters in our change purses to the dollars in our wallets.
Contributed by Donna Stapley, Assistant to the Director
On display in the Albert and Shirley Small Special Collections Library is the famous portrait of George Washington by Gilbert Stuart and a bronze bust by Jean Antoine Houdon.
Portrait of George Washington by Gilbert Stuart. (Gift of Mrs. F. Bayard Rives and George L. Rives. Photograph by Donna Stapley.)
Bust of Washington by Jean Antoine Houdon. (Gift of the Class of 1909. Photograph by Donna Stapley.)
Viewing our manuscript and ephemera collection helps change the legend into a man, providing a glimpse into the daily life of George Washington.
Bookplate belonging to George Washington. Copperplate engraving, 1771. (MSS 13483. Photograph by Donna Stapley)
Page from a pocket account book containing an entry for purchase of a periwig for George Washington for a night of “entertainment,” April 1780. (MSS 8136-a. Photograph by Donna Stapley)
Facsimile of letter from dated June 23, 1775, from George Washington to Martha Washington, regarding his departure from Philadelphia and his affection for her: “I retain an unalterable affection for you which neither time or distance can change..” (MSS 38-532. Photograph by Donna Stapley)
W is for Witches!
While Virginia did not experience the witch uproar of Salem, Mass, there was one notable case. In 1706 Grace Sherwood of Princess Anne County (now Virginia Beach) was accused of practicing witchcraft. Among her “sins” was bewitching hogs and escaping through a keyhole as a black cat. She was summoned to court and on July 5, “it was Ordrd . . . by her own Consent to be tried in the water by Ducking.” On July 10, she was tied and tossed in a river. She swam – thus guilty. “Five ancient women” searched her and declared she was “not like them nor noe other woman they knew of” because of two marks on her body. The court kept her in custody for a future trial, but records thereafter are unclear.
Contributed by Anne Causey, Public Services Assistant
One story of Grace Sherwood, a highly embellished children’s story, is found in Louisa Venable Kyle’s The Witch of Pungo. Virginia Beach, Va: Four O’Clock Farms Publishing Co., 1988. (PZ7 .K983 Wi 1988. Gift of Edward Gaynor. Image by Anne Causey)
The earliest printed record of Grace Sherwood’s story is in the Collections of the Virginia Historical & Philosophical Society, Richmond, 1833, presented by Jonathan Cushing (F221 v.95 no. 1. Image by Anne Causey)
From the Collections of the Virginia Historical & Philosophical Society, Richmond, 1833, presented by Jonathan Cushing (F221 v.95 no. 1. Image by Anne Causey).
W is for W.P.A.
The Works Progress Administration (later named the Work Projects Administration) is perhaps the best known of the New Deal agencies created to pull the United States out of the Great Depression. The W.P.A. focused primarily on public works, such as roads, dams, and public buildings but also funded smaller programs for writers, artists, musicians, and actors. Among the W.P.A. materials in Special Collections are original drawings (several unpublished) for Virginia the Old Dominion in Pictures; interviews with former slaves; and an extensive collection of folklore and folk songs from Virginia.
Contributed by Edward Gaynor, Head of Description and Specialist for Virginiana and University Archives
“Laundress” by Ralph W. Lermond for Drawings for Virginia: the Old Dominion in Pictures. (MSS 15372. Photograph by Donna Stapley)
“Forger,” an unpublished work by Ralph W. Lermond for Drawings for Virginia: the Old Dominion in Pictures. (MSS 15372. Photograph by Donna Stapley)
Virginia: the Old Dominion in Pictures. (F231 .W89 1941. Image by Edward Gaynor)
Drawings by Ralph W. Lermond, featured in Virginia: the Old Dominion in Pictures. (F231 .W89 1941. Image by Edward Gaynor)
Now that “W” is complete, we have only three more letters to go. Visit us in a couple of weeks as we explore “X.”