Thwarted in Texas: A Confederate Family versus a Union Naval Blockade

This post by Ervin “EJ” Jordan Jr., Research Archivist & Associate Professor at the Albert and Shirley Small Special Collections Library, concerns a recent acquisition, “Isabella, Jumain, Miriam and Rosa Letter,” March 7, 1865 (MSS 16853)

This document of historical rarity on a unique maritime aspect of the American Civil War was recently acquired by the Albert and Shirley Small Special Collections Library. It consists of March 7, 1865 letters of an anonymous family of four Confederate women Isabella and her daughters Jumain, Miriam, and Rosa (their surname unknown) to their husband/father in Havana, Cuba. Trapped by the Union Navy’s blockade of Galveston, Texas, their anxious departure attempts were a backdrop of Southern blockade-running activities (‘running the blockade’). Postal supply shortages and costs necessitated these letters’ single sheet of blue stationery; its 160-year survival implies receipt by the husband/father, interception by federal blockaders or never having been mailed. (Its cover envelope is missing). Extant letters by blockade runners’ civilian passengers are rare as mail confiscated by Union blockaders was usually destroyed.

Building a Blockade: Team Union Navy Blockaders

The Federal government imposed a naval blockade (April 1861-May 1865) of Southern seaports during the Civil War, patrolling 3,550 miles of coastline with a blockading fleet of 400 ships assigned to six geographically-based squadrons: Atlantic, North Atlantic, South Atlantic, Gulf, East Gulf and West Gulf. Captured blockade runners were taken to federal-held ports as war prizes, their cargo’s cash value shared among ships’ crews as prize money. Several seized vessels were commissioned for Union naval service. The blockade gave notice that foreign nations trading with the Confederate South risked confrontation with the United States. Although the smaller Confederate Navy (100 ships) never seriously challenged the Union Navy (700 ships) nor imposed its own blockade, Southern commerce raiders attacked Northern merchant vessels and whaling fleets in the Atlantic, Arctic and Pacific Oceans, decimating trade and increasing shipping insurance rates.

Breaking the Blockade: Team Confederate Blockade Runners

Southern blockade runners, privately or government-owned, were specially-built seagoing steamships constructed or purchased in Britian, Scotland and Ireland with large cargo holds and comfortable cabins. Known as “greyhounds of the sea” for their gray paint and swiftness, many bore colorful names like Let Her Rip, Rattlesnake, Banshee, and Vulture. One Confederate government-owned vessel, the Fingal (later the ironclad CSS Atlanta), returned from Europe in late 1861 with 10,000 rifles, 400 barrels of gunpowder, and a million bullets.

Blockade runners exported cotton for British textile industries, tobacco, sugar and rice to Europe in exchange for munitions, shoes, blankets, meat, coffee, medicines, and Bibles. They also carried civilian passengers and private and diplomatic mail to and from Europe and the South’s Atlantic and Gulf Coast ports (usually as night runs to avoid detection): Fernandina and St. Augustine, Florida; Beaufort and Wilmington, North Carolina; Charleston, South Carolina; Savannah, Georgia; Mobile, Alabama; New Orleans, Louisiana; Galveston and Brazos Island, Texas. Favored foreign ports included Liverpool (Great Britain), Bermuda, the Bahamas (Nassau), Halifax, (Nova Scotia, Canada), Tampico, Matamoras and Vera Cruz (Mexico), and Havana, Cuba. European nations were officially neutral but vessels owned or crewed by their citizens dominated blockade-running. After the war international arbitration (the Alabama Claims, 1869-1872) resulted in Britain’s compensating the United States $15.5 million for ‘damages’ caused by British-built Confederate ships.

Blockade-running was a business often financed by joint stock ventures euphemistically known as ‘exporting and importing companies’ whose investors reaped profits ten times their cargoes’ original value. Such voyages were inherently perilous–1,500 ships were run aground, captured or sunk, drowning crews and passengers. “King Cotton” exports slumped by 95 percent; the Confederate South’s cotton embargo strategy to pressure European intervention in the war failed, contributing to its ruined economy.

The golden age of blockade-running ended by the early spring of 1865 as the Union army and navy increasingly captured Confederate seaports; though blockaded, only Galveston remained under Southern control. Ironically, blockade runners’ successes may have helped strangle the blockaded Confederacy by increasingly trafficking extortionately-priced luxury goods like silks and champagne while Confederate armies suffered shortages of badly-needed military supplies.

The Letter(s): “We have had some adventures”

In the first of this anonymous family’s four March 7, 1865 Galveston letters, “Isabella” writes to her unidentified husband of her frustrated attempts to join him in Cuba via Matamoras, Mexico—a regular route for self-exiled Confederates. Several tries by an unnamed blockade runner [paddle steamer CSS Lark?] on which she and their three daughters booked passage, had been thwarted by Union ships [the West Gulf Blockading Squadron, 990 miles of the Gulf of Mexico coastline from St. Andrews Bay, Florida, to Texas-Mexico border] “since last Saturday night” (March 4). Their misfortunes (“We have had some adventures, without any Success or Advantages”) were compounded by seasickness, “loss of Sleep and great fatigue,” their ship’s running aground and frequent engine trouble, barely avoiding seizure. An incoming schooner, Charles Russel, was turned away because of “Yankees firing at her in great rate.” Isabella provides a clue of the family as Texans, remarking “when we arrived here 21 years ago” [1844] and concludes: “I must close now the Children want to add some[.] I wish you farewell again with the hope of Your Health and Happiness.”

First page of a handwritten letter in cursive from "Isabella" to her unidentified husband, March 7, 1865.

First page of a handwritten letter in cursive from "Isabella" to her unidentified husband, March 7, 1865.

The second letter, “Jumain” [eldest daughter?] to “Dear father,” offers sentiments similar to her mother’s. She relates another sailing attempt Sunday night (March 5) that only traveled a few hundred yards, stopped by engine troubles a half mile from the Yankees, forcing a return to Galveston. Another attempt was planned for that night (March 7) but she concedes the “Yanks blockade outside very effective, and no doubt we will have some trouble getting out.” She hopes for gainful employment in Havana “as this loafing about don’t Pay” and concludes “Bad news today if it comes true about Charleston having been taken.” [Confederates evacuated this South Carolina city in February 1865; Union troops subsequently burned it.]

Third page of a handwritten letter in cursive—this section includes a second letter from Jumain ("eldest daughter") to her "Dear father."

The third letter, “Miriam” [middle daughter?] to “Dear father,” complains: “We have not as yet departed for one reason or another, but if we do not get out tonight we will probably have to stay until next moon.” She says because “Mother” (Isabella) had already written about “our proceedings” it would only trouble him to repeat them.

The fourth and last letter, “Rosa” [youngest daughter?] to “my dear father” in childlike handwriting, is the briefest: “I bid You good bye again.” In a penciled postscript her mother Isabella reports interrupting Rosa’s initial use of ink because it was in short supply. (The first seven letters “my dear f” are in ink.) Isabella made her use a pencil “fearing she would [turn] the ink over” but Rosa apparently pouted at being denied an ink pen: “She does not like [using] the Pencil and therefore only bid you good Bye.”

Fourth page of a handwritten letter, containing two notes: first, “Miriam” [middle daughter?] to “Dear father" dated March 7th, 1865; the second, from “Rosa” [youngest daughter?] to “my dear father.”

The Confederacy never lifted the Union blockade, and the war ended a month after the family’s last known breakout attempt; subsequent efforts, if any, are unknown. On May 24, 1865, the South’s last blockade runner, CSS Lark (built in England for the Confederate government), departed Galveston for Havana. Three weeks later, June 19, 1865, during its postwar Union military occupation, Galveston became the birthplace of Juneteenth.

Select Bibliography

Dead Confederates, A Civil War Era Blog,“Builder’s Drawing of Wren and Lark.”

Heidler, David and Heidler, Jeanne, eds. Encyclopedia of the American Civil War: A Political, Social, and Military History. New York: W. W. Norton & Company, 2000.

Mr. Edwin W. Hemphill, University of Virginia Library “Bibles from Britain for the Blockaded Confederacy,” 29 May 1949, MSS 3224, Albert and Shirley Small Special Collections, University of Virginia Library.

Isabella, Jumain, Miriam and Rosa Letter, 1865, MSS 16853, Albert and Shirley Small Special Collections, University of Virginia Library.

The New York Times, February 2, 1865: “Correspondence of the Associated Press/HAVANA, Saturday, Jan. 28.”

U.S. Naval War Records Office, Official Records of the Union and Confederate Navies in the War of the Rebellion Series 1, vol. 22. Washington: GPO, 1894-1922.

Wikipedia, The Free Encyclopedia: “CSS Lark”; “Danish West Indies”; “History of Galveston, Texas”; “List of ships built by Cammell Laird”; “Postage stamps and postal history of the Confederate States.”

Wilson, Paula. St. Croix Landmarks Society, 2007, https://www.stcroixlandmarks.org/history/transfer-day/

Staff Spotlight: Molly Fair, Digital Preservation Analyst

Our staff spotlight series continues to shine! We’re featuring recent hires and new roles of staff in the Albert and Shirley Small Special Collections Library here at the University of Virginia. Today: meet Molly Fair, our Digital Preservation Analyst. 

Molly’s interest in film and independent media led her to pursue a career in archiving and preservation. She is passionate about community archives and documenting histories of radical social transformation. To this end, she co-founded Interference Archive in Brooklyn, New York, a social center and community archive which has been active for over a decade. She likes to spend time making art, gardening, and foraging mushrooms in the wilds of Richmond, where she lives.

Photo of Molly Fair, with face partially obscured by a giant mushroom

What was your first ever job with books or libraries?
As an undergrad student I worked at the Tamiment Library and Wagner Labor Archives at NYU. It contains a vast collection of radical history of the left and international social movements. As a student organizer I even contributed my own materials. It was the first time I understood that archives can come from the grassroots, which shaped my entire career and way of thinking.

What was the first thing you collected as a child? What do you collect now? (oh, c’mon, admit it).
The first things I collected were rocks and shells. Now I still collect rocks and shells! Little has changed. 

Molly's home collection, including rocks and shells.

Hopefully you’ve been roaming Grounds and Charlottesville a bit since your arrival. What’s your favorite new discovery other than Special Collections?
Amanda Greenwood gave me an amazing tour of the historical collections at the Health Sciences Library. It was wild to see the old iron lung they have in the reading room and the books of anatomical drawings.

Tell us what excites you about your job?
I like collaborating and working through complex problems. A lot of people don’t like being down in the weeds, but that’s where I’m most satisfied.

Tell us something about Special Collections or UVA that is different from what you expected.
UVA is such a huge institution, I was not sure if I’d feel lost in the mix. But I’ve met and connected with so many awesome people across departments..

If you could be locked in any library or museum for a weekend, with the freedom to roam, enjoy, and study to your heart’s content, which one would you choose?
Filmmaker Derek Jarman’s former home, Prospect Cottage in the UK. It’s on the Kent shoreline near Dungeness nuclear power station. The terrain is rugged, the weather inclement, and it’s very hard for plants to grow and thrive in that environment- but he still built this amazing garden intermixed with his sculptures. He moved there after he was diagnosed with HIV in the 80s, seeking a place to heal, grieve, rage, and keep creating art up until his death- which I think is really powerful. It is now run by an art trust and open to the public.

Staff Spotlight: Jacquelyn Kim, Exhibitions Coordinator

A photo of Jacquelyn standing outdoors in front of a Christmas tree.

Jacquelyn Kim, Exhibitions Coordinator

Welcome back to our staff spotlight series! Over the next few weeks, we’ll catch up on featuring recent hires and new roles of staff in the Albert and Shirley Small Special Collections Library here at the University of Virginia.

As the exhibitions coordinator, Jacquelyn (she/they) helps to produce exhibitions that showcase the Library’s collections and assists with community engagement. She previously worked at Special Collections as the exhibitions assistant for two years and recently graduated from UVA with highest distinction in American studies and global development studies. Beyond the library, Jacquelyn enjoys cooking, foraging, and making pottery, and they plan to start an MLIS program in the near future.

What was your first ever job with books or libraries?

As a high school student, I volunteered at a local library branch to tutor kids in math and English. During my third year as an undergraduate student at UVA, I began working at Special Collections as a Wolfe Fellow, helping with social media and gaining hands-on experience working in an archive and with archival materials—and clearly I couldn’t get enough!

What was the first thing you collected as a child? What do you collect now? (oh, c’mon, admit it).

As a child, I had an impressive collection of Pokémon cards and erasers in odd shapes like animals, food, and flowers that I’ve since gifted and passed on to younger family members. Now, my apartment is full of books, CDs, and zines! A friend recently gifted me a beautiful zine about the history of mahjong, and that’s one of my new favorites.

Hopefully you’ve been roaming Grounds and Charlottesville a bit since your arrival. What’s your favorite new discovery other than Special Collections?

I’ve been in Charlottesville/at UVA for over 5 years now, but a couple of my favorite spots are The Beautiful Idea, a bookstore and community center on the Downtown Mall, and La Flor Michoacana, an ice cream shop! Around campus, the fruit trees in the gardens of the Academical Village are a hidden gem.

Tell us what excites you about your job?

I love how I get to do a deep dive into a new topic with every exhibition—I’m constantly learning something new! I’ve also been so grateful for opportunities to engage directly with community members who are assisting with curation and/or have contributed materials to our collections. Getting to hear firsthand the stories about objects included in our exhibitions and collections has been incredibly grounding.

If you could be locked in any library or museum for a weekend, with the freedom to roam, enjoy, and study to your heart’s content, which one would you choose?

I lived in Seoul for a bit and loved the many different collections at the National Museum of Korea, particularly of ceramics! I also recently learned about the Interference Archive based in New York, and I’d love to explore their collections of items related to social movements around the world.

Staff Spotlight: K Lighty, Digital Archivist

Welcome back to our staff spotlight series! Over the next few weeks, we’ll catch up on featuring recent hires and new roles of staff in the Albert and Shirley Small Special Collections Library here at the University of Virginia.

K Lighty is the Digital Archivist in Special Collections’ Technical Services division. They began their position in June of this year. Read more about them in their own words below.

I have a BA in English from the University of Texas at Arlington, a MS In Women’s and Gender Studies from Minnesota State University and my MLIS from the University of Arizona. I’ve lived all over the US and I love traveling and meeting new people. I also love trying new foods and playing board games of all varieties.

What was your first ever job with books or libraries?

My first library job was when I was working as a graduate assistant for my MLIS, but my first book/print related job was working as a copyeditor for the school newspaper during my undergraduate studies. Between that and my English studies, I spent a lot of time reading the stories other people were creating. Either way, I’ve always loved books, reading, and stories. All of these things, combined with a love of computers and internet culture are what lead me to pursue a career in digital archives!

What was the first thing you collected as a child? What do you collect now? (oh, c’mon, admit it).

The two things that come to mind are rocks (like completely normal everyday rocks you’d pick up off the ground) and Pokemon cards. I’ve continued to collect trading card game cards over the years, but have also an unhealthy amount of dice these days. They don’t see a lot of use because a lot of my D&D and other tabletop games are played online these days, but they sure are fun to attempt to stack. There’s nothing like seeing a 20 dice-high tower come falling down.

Hopefully you’ve been roaming Grounds and Charlottesville a bit since your arrival. What’s your favorite new discovery other than Special Collections?

Special Collections is great though! That being said, I think my favorite thing is just the climate in general. After spending five years in the desert (which was beautiful, don’t get me wrong), I’m just glad to be living somewhere with actual grass and trees and flowers. We haven’t quite made it to fall yet, but I’m really looking forward to all of the autumn colors and it not being 90 degrees in November! (If you ever visit Arizona, I recommend going in January).

Tell us what excites you about your job?

Everything, but to be more specific, I’m really excited by the focus on reparative archival work being done in  Special Collections. Archives and other historical records have a long legacy of being centered and written by and for dominant cultures and socio-economic groups, so doing work to create records that acknowledge this legacy and attempt to mitigate the harm done by past records is something that I find really important. I am always overjoyed to hear about the work the other members of special collections have been doing in this area!

Tell us something about Special Collections or UVA that is different from what you expected.

So many hills. Every University I’ve worked or studied at has been on pretty flat land. It’s definitely taken some getting used to when walking anywhere! I’ve also been surprised (in a good way) by just how welcoming and kind everyone has been here at UVA. I’m not saying that there has been a lack of goodwill at any previous place I’ve worked or studied, but there is just an overabundance here and it has been so refreshing. I’m also looking forward to project weeks, as they sound like a really awesome initiative that is different from anything I’ve seen elsewhere. 

If you could be locked in any library or museum for a weekend, with the freedom to roam, enjoy, and study to your heart’s content, which one would you choose?

Probably the National Air and Space Museum at the Smithsonian! I’ve always had a fascination with outer space ever since I was a child, and the opportunity to be able to explore the history of our exploration of the cosmos would be the ultimate indulgence.  With how close Charlottesville is to Washington, D.C., I’m hoping to have the chance to take a weekend to explore the space museum and many of the other Smithsonian museums.