This Just In: Spring Miscellany

U.Va.’s Final Exercises have concluded, and Grounds is quiet this week. Shortly the summer session will begin (as well as the inevitable summer construction projects), and both temperature and humidity will, no doubt, rise. Under Grounds it is busyness as usual as we catch up with what so far has been a banner spring for acquisitions. Following is a random selection of some early printed books newly added to our shelves.

A stellar eclipse! This engraved portrait of astronomer Tycho Brahe is actually a cancel slip pasted over another engraved portrait inadvertently printed on the wrong leaf. Note how the lower left corner is lifting upward, and the engraved border of the underlying portrait visible at left. Giacomo Filippo Tomasini, Illustrium virorum elogia iconibus illustrata (Padua, 1630), p. 242.   (CT1122 .T6 1630)

A stellar eclipse! This engraved portrait of astronomer Tycho Brahe is actually a cancel slip pasted over another engraved portrait inadvertently printed on the wrong leaf. Note how the lower left corner is lifting upward, and the engraved border of the underlying portrait is visible at left. Giacomo Filippo Tomasini, Illustrium virorum elogia iconibus exornata (Padua, 1630), p. 242. (CT1122 .T6 1630)

Giacomo Filippo Tomasini’s Illustrium virorum elogia iconibus exornata (Padua, 1630) is a collection of biographies of noted scientists, astronomers, doctors, jurists, and theologians, most of whom lived in Padua and taught at its famous university. Of special note are the bibliographies of each subject’s writings, and the fine full-page engraved portraits by the French artist Jérôme David. Indeed, it was the engraved portrait of Danish astronomer Tycho Brahe that caught our eye in a bookseller’s booth at the New York International Antiquarian Book Fair last month. Unbeknownst to the dealer, this portrait is actually a cancel pasted over a different engraved portrait inadvertently printed in the wrong place! During the hand-press period, serious printing errors were typically corrected by “cancelling” an entire leaf and replacing it with a corrected replacement leaf or, as here, by pasting a cancel slip over the portion needing correction. Text cancels are fairly common in early printed books, but a cancel illustration is rarely encountered.

Engraved reproduction of the famous Dove Mosaic discovered by Giuseppe Alessandro Furietti at Hadrian's Villa and now in Rome's Capitoline Museum. Furietti believed it to be the actual mosaic created by Sosus for the royal palace at Pergamon, as described by Pliny the Elder in his Natural History. Giuseppe Alessandro Furietti, De musivis (Rome, 1752), plate [1].   (NA3750 .F8 1752)

Engraved reproduction of the famous Dove Mosaic discovered by Giuseppe Alessandro Furietti at Hadrian’s Villa and now in Rome’s Capitoline Museum. Furietti believed it to be the actual mosaic created by Sosus for the royal palace at Pergamon, as described by Pliny the Elder in his Natural History. Giuseppe Alessandro Furietti, De musivis (Rome, 1752), plate [1]. (NA3750 .F8 1752)

De musivis (Rome, 1752), by the Italian antiquarian and cleric Giuseppe Alessandro Furietti, is one of the earliest scholarly works devoted to Roman mosaics. Written just as the rediscovery of Pompeii and Herculaneum was inspiring new interest in Greek and Roman antiquities, Furietti’s work summarizes what was then known about Roman mosaics, incorporating new findings from Furietti’s own excavations at Hadrian’s Villa. Of particular interest are Furietti’s notes on the musivarii (the Roman artisans responsible for the figurative portions of mosaics), as well as his comments on mosaic art in Italy since the fall of the Roman Empire.

A cartographer's tools, from Manoel de Azevedo Fortes, Tratado do modo o mais facil, e o mais exacto de fazer as cartas geograficas (Lisbon, 1722), plate 3.   (GA102.3 .F67 1722)

A cartographer’s tools, from Manoel de Azevedo Fortes, Tratado do modo o mais facil, e o mais exacto de fazer as cartas geograficas (Lisbon, 1722), plate 3. (GA102.3 .F67 1722)

Special Collections is well known for its distinguished cartographic holdings—particularly of maps and atlases concerning the discovery and exploration of North America—and recently we added the perfect complement: one of the earliest printed manuals on mapmaking. Cartography had long been an essential skill for military engineers and surveyors, who could turn to printed works in their fields for guidance, but manuals specifically directed at cartographers were a late development. Manoel de Azevedo Fortes’s rare Tratado do modo o mais facil, e o mais exacto de fazer as cartas geograficas … (Lisbon, 1722) was the first such manual in Portuguese. Fortes based his work in part on French manuals. Although he writes in part for a military audience, Fortes directs this work primarily at fellow members of Portugal’s Royal Academy of History who desire to complement their writings with maps. Of particular interest are his comments on cartographic symbols and map coloring.

A lesson in caricature: examples of various noses, profiles, and head shapes. Francis Grose, Rules for drawing caricaturas, 2nd ed. (London, 1796), plate IV.   (NC1320 .G76 1796)

A lesson in caricature: examples of various noses, profiles, and head shapes. Francis Grose, Rules for drawing caricaturas, 2nd ed. (London, 1796), plate IV. (NC1320 .G76 1796)

We have also acquired another early manual on an entirely different subject: the art of caricature. A well known English antiquary and scholar of English slang, Francis Grose (1731-1791) was also an amateur artist who delighted in “comic painting.” In Rules for drawing caricaturas: with an essay on comic painting, Grose sought to explain how artists such as Hogarth and Gilpin manipulated the human form and visage for comic effect. This second, expanded edition, published posthumously in London in 1796, includes 21 plates, seventeen of which were etched by Grose himself. Most are caricatures of himself and his fellow antiquaries.

Front cover of David Claypoole Johnston, Scraps no. 1, new series (Boston, 1849).    (E166 .J65 1849)

Front cover of David Claypoole Johnston, Scraps no. 1, new series (Boston, 1849). (E166 .J65 1849)

The art of caricature soon took root in the United States, thanks in part to the influence of English émigré artists. One of the most famous antebellum American cartoonists was David Claypoole Johnston (1798-1865), who excelled in many artistic media. Some of his best cartoon “Scraps” were published from 1828 to 1849 in a series of numbered portfolios, of which we recently acquired two. Their etchings poke fun at contemporary events such as the Mexican-American War, emerging issues such as women’s rights, contemporary fads such as phrenology, and, of course, the art world.

One of the cartoon "scraps" in David Claypoole Johnston, Scraps no. 1, new series (Boston, 1849)   (E166 .J65 1849)

One of the cartoon “scraps” in David Claypoole Johnston, Scraps no. 1, new series (Boston, 1849) (E166 .J65 1849)

This Just In: New McGregor Library Acquisitions

The opening last week of Collecting American Histories: the Tracy W. McGregor Library at 75—the major new exhibition of highlights from our world renowned McGregor Library of American History—prompts us to describe a few of the many acquisitions made for the McGregor Library in recent months.

M8

Noticia certa, e manifesto publico da grande batalha, que tiveraõ os francezes, e inglezes, junto ás ribeiras do Obio em 9 de julho de 1755. Com a noticia individual de todas as acçoens obradas nesta expediçaõ. Morte do celebre General Braddock, e de outros officiaes, e soldados, ficando muitos prisioneiros … Lisbon: Domingos Rodrigues, 1755.     (A 1755 .N67)

The French and Indian War began badly for Britain. Sent to rout the French from western Pennsylvania, General Edward Braddock’s forces suffered a disastrous defeat on July 9, 1755, at the Battle of Monongahela near present-day Pittsburgh.  Braddock was among the hundreds of British casualties before a young junior officer—George Washington—was able to lead an orderly retreat.  The McGregor Library contains some important primary sources concerning the battle—two are included in the 75th anniversary exhibition now on view—and this very rare, ephemeral pamphlet is the latest addition. News of Braddock’s defeat spread quickly by letter, word of mouth, newspapers and other printed accounts. This newsletter conveyed the news to a Portuguese audience. Following a brief description of the battle (no mention is made of Washington, however) and the diplomatic aftermath, it lists the names of British officers who were killed or wounded.

M1[Thomas Cooper, 1759-1839?] Extract of a letter from a gentleman in America to a friend in England, on the subject of emigration. [London?, 1794?]     (A 1792 .G45)

Likely the first edition (of two published in England ca. 1794) of this concise description of the United States. Written from the perspective of an Englishman contemplating emigration, it offers carefully reasoned arguments for and against settling in specific states. Particular consideration is given to the frontier regions of New York and Kentucky, though the anonymous author concludes that Pennsylvania is the better option. Indeed, that is precisely where the probable author, Thomas Cooper, settled later in 1794 after touring the United States; the letter was likely addressed to, and published at the behest of, Joseph Priestley, who also emigrated to Pennsylvania in 1794. An economist and liberal political thinker, Cooper soon developed a thriving Philadelphia law practice which helped to earn him the esteem of Thomas Jefferson. In 1819 Cooper was the first professor appointed to the faculty of the as-yet-unopened University of Virginia, but he resigned in 1820 following controversy over his religious views. Later he served as president of the University of South Carolina.

M5Christian Gottlieb Glauber, 1755-1804.  Peter Hasenclever.  Landeshut, 1794.     (A 1794 .G53)

Privately printed in a small number of copies, this is a biography of Peter Hasenclever, a German entrepreneur who, by establishing several business enterprises in New Jersey, Pennsylvania, and New York between 1764 and 1769, became Colonial America’s leading industrialist. With the coming of peace following the Seven Years’ War, Hasenclever raised over £50,000 from English backers to open a network of iron mines and ironworks and a potash manufactory, and to raise hemp and harvest timber. His enterprises were staffed by the over 500 German workers who heeded his invitation to emigrate. Hasenclever spent lavishly on his businesses, only to be plunged into bankruptcy in 1769 when his English partners withdrew financial support. After returning to Germany, Hasenclever was able to rebuild his fortune in the textile trade. The biography concludes with a lengthy appendix of letters written by Hasenclever during his American sojourn.

M3Hole in the wall; or A peep at the creed-worshippers. [Philadelphia], 1828.     (A 1828 .H65)

This rare and unusual tract was an important salvo in the bitter schism, or “Great Separation,” between orthodox Quakers and their Hicksite adversaries. By the 1820s significant tensions had arisen between Philadelphia’s wealthy Quaker merchants and the Quaker farmers of southeastern Pennsylvania, who were attracted to the teachings of Elias Hicks—tensions comparable to those between New England Congregationalists and Unitarians. Unable to settle their differences at the 1827 Philadelphia Yearly Meeting, the two camps set up competing Meetings, with the orthodox Quakers adopting and enforcing a doctrinal creed. This pamphlet, which vigorously promotes the Hicksite view, is “embellished” with three accomplished satirical engravings by the anonymous author.

M4Frances Wright (1795-1852). Course of popular lectures, historical and political, Vol. II.  As delivered by Frances Wright Darusmont, in various cities, towns and counties of the United States. Philadelphia: Published by the author, 1836.     (A 1836 .W75)

During the 1820s and 1830s, Fanny Wright was perhaps the most notorious woman in the United States. Born in Scotland, Wright visited the United States from 1818-1820, recording her observations in the bestselling Views of society and manners in America (1821). Having befriended Lafayette, Wright accompanied him on much of his 1824-1825 tour of America. She then launched a career as a radical political and social reformer. An ardent feminist, freethinker, and friend of labor, Wright visited Robert Owen’s utopian community at New Harmony, Ind., before setting up her own settlement, Nashoba, near Memphis. The objective of this multi-racial community was to promote the abolition of slavery by preparing slaves for freedom. By 1830 it had failed, and Wright henceforth promoted her views through journalism and a career as America’s first prominent female public speaker. This very rare pamphlet in its original wrappers prints the text of three lectures from Wright’s 1836 lecture tour: two praise Jefferson’s vision of an agrarian republic and condemn the contrasting Hamiltonian vision, and a third outlines her abolitionist views.

M2Robert Hubbard (1782-1840).  Historical sketches of Roswell Franklin and family: drawn up at the request of Stephen Franklin. Dansville, N.Y.: A. Stevens for Stephen Franklin, 1839.     (A 1839 .H85)

A rare and very early work of American local history, published in a small town some 40 miles south of Rochester, N.Y.  Written by the local minister at the behest of the Franklin family, most of the book is a biography of the family patriarch, Roswell Franklin (d. 1791 or 1792), drawn primarily from family oral tradition. Born in Woodbury, Conn., Franklin fought for the British in the West Indies and Cuba before moving his family to northeastern Pennsylvania’s Wyoming Valley in 1770. With the outbreak of revolution, Franklin and his fellow patriots found themselves in a frontier war zone, besieged by British forces and their Iroquois allies. Included here is a vivid account of the 1778 Battle of Wyoming, in which Franklin was one of few patriots to survive. Subsequent chapters describe the family’s role as pioneers, following the expanding frontier northwestward into west central New York, and the tremendous contrasts between Roswell Franklin’s time and America in 1839.

Sneak Peek: the exhibition “Drawn From Life” opens January 22

On Tuesday, January 22, visitors to the first floor of Harrison/Small will see a new set of materials on exhibition in the main gallery. We’re cutting mat board, writing labels, and measuring frames for “Drawn From Life: Collecting Cartoons and Caricatures.”  This 40-item exhibition reveals little-known gems–and some quirky treats–from across our collections, alongside a number of items loaned by Charlottesville resident John Francis.

John’s grandfather, Edward William Francis, became acquainted with a number of Britain’s leading commercial artists in the 1910s and 1920s;  he successfully requested cartoons, caricatures, and other small pieces of original art from major figures such as Heath Robinson and Harry Rountree, as well as lesser known artists who are unknown today. John inherited the resulting collection, which features many of the genres, styles, and themes that dominated the era known as the “Golden Age” of cartooning. We’ve selected complementary items from our holdings, including other works by the same artists, periodicals and books in which similar work is to be found, and other original art from the same era.

Come to the exhibition to learn more about how Edward William Francis gathered together his specimens and how Special Collections has built its own holdings in this varied field over the course of many decades. Until then, here are some samples to tempt you:

Unidentified artist, “Rheims,” ca. 1918. (Collection of John Francis.)

A detail from Oscar Cesare’s “Making the World Safe For Autocracy,” ca. 1917-1918. (MSS 4101. Image by Special Collections staff.) White ink shows final edits to this section of the much larger cartoon, revealing that the word “socialist” has been replaced by the world “radical.”

Harry Rountree, “The Horse–the noblest of all animals!,” undated. (Collection of John Francis.)

Detail from Peggy Bacon, “The Country Girl Who Decides to Be an Artist,” undated. (MSS 6442. Image by Special Collections staff.)