Exhibition Prep Special: Searching for Shakespeare in Booksellers’ Records

This week we are pleased to feature the second guest blog post from graduate curatorial assistant Kelly Fleming, who will be sharing selected treats from our upcoming exhibition, “Shakespeare by the Book,” over the coming months. The exhibition opens February 22, 2016.

My first two weeks at Special Collections were spent hoisting hulking ledgers from the stacks and placing them gently onto cradles to investigate whether two early booksellers in Virginia sold Shakespeare. After the first day, I found my legs covered in wisps of binding and my hands stained with “red rot” from the ledgers’ leather bindings. Thank goodness for gloves.

Here's what my gloves looked like after several ledgers. Imagine what my bare hands looked like before I put them on.

Here’s what my gloves looked like after several ledgers. Imagine what my bare hands looked like before I put them on.

I combed through the account books of Bell & Co., a printer in Alexandria, Virginia active in the nineteenth century and the Virginia Gazette, a newspaper and printer active in Williamsburg, Virginia in the eighteenth century. My eyes sought any spelling variation of the name “Shakespeare” amidst endless purchases of envelopes and paper. Despite our modern perception that Shakespeare’s works are “classics” and that he is a father of the English language, his place in the literary canon was yet to be defined in the eighteenth and nineteenth centuries. As my findings attest, Virginians chose to read a myriad of other things more frequently than Shakespeare.

Only one copy of Shakespeare was sold by the Virginia Gazette in the years 1750–1752 and 1764–1766. Even though David Garrick was busily working to increase the popularity of Shakespeare in London at this time, the colonies seem to have been a step behind. Since Williamsburg was home to the Virginia legislature and the College of William & Mary, it is not surprising that the books sold by the Virginia Gazette were largely educational: Latin grammar textbooks, dictionaries, and religious texts like the Book of Common Prayer. Despite the fact that Samuel Johnson’s Dictionary of the English Language (a book the Virginia Gazette also sold) marks Shakespeare’s works as the first usage of many English words, students were not studying Shakespeare. The education system in the eighteenth century trained students (that is to say, young men) in what they considered the “classics”: philosophical and literary texts from ancient Greece and Rome. When students did read literary texts in English, it seems that they read English epics, which use classical elements to describe contemporary England. The epic works of Milton, Dryden, and Pope, for example, appear numerous times in the accounts of the Virginia Gazette. In addition to English epics, we find our copy of Shakespeare alongside another genre excluded from the education system: the novel. In the ledger in our exhibition, we find popular English novels such as Samuel Richardson’s Clarissa and Tobias Smollett’s Roderick Random.

Page of Virginia Gazette Day Book showing the purchase of Theobald's edition of Shakespeare (MSS 467)

Page of Virginia Gazette Day Book showing a purchase of Theobald’s edition of Shakespeare (MSS 467)

Joseph Hutchings purchased 8 volumes of of Shakespeare "for [his] self" (MSS 467).

The Virginia Gazette records show Joseph Hutchings purchasing 8 volumes of Shakespeare “for [him] self” (MSS 467).

Alongside Shakespeare in the Virginia Gazette Daybook, I found a recorded purchase of two of Samuel Richardson's novels, "Clarissa: Or, the History of a Young Lady" (1747-8) and "The History of Sir Charles Grandison" (1753).

Alongside Shakespeare in the Virginia Gazette records are two of Samuel Richardson’s novels, “Clarissa: Or, the History of a Young Lady” (1747-8) and “The History of Sir Charles Grandison” (1753). (MSS 467)

 

Alongside Shakespeare in the Virginia Gazette records are many educational texts such as Lilly's Latin Grammar. (MSS 467)

Alongside Shakespeare in the Virginia Gazette records are many educational texts such as Lilly’s Latin Grammar. (MSS 467)

Thanks largely to new performances of Shakespeare plays, Garrick’s Shakespeare Jubilee, and new editions of Shakespeare works in the eighteenth century, Shakespeare’s words come alive by the nineteenth century. The accounts of Bell & Co. reflect this increasing popularity. I found seven copies of Shakespeare sold at Bell & Co. over the course of the nineteenth century (1809–1899). The specific ledger we are using in the exhibition shows Shakespeare alongside Susanna Rowson’s novel Charlotte Temple, Wordsworth, Cooper’s Virgil, and the Bible.

Bell & Co. sold Shakespeare for "6.50" (MSS 2989).

Bell & Co. sold Shakespeare for “6.50.” Different types of currency were in use in the colonies at this time. Without further research, all we can tell from this record is that it is expensive and suggests that the reader bought a multi-volume set (MSS 2989).

On the same page, Bell & Co. recorded the purchase of Susanna Rowson's novel "Charlotte Temple" and two grammar books.

On the same page as Shakespeare, Bell & Co. recorded the purchase of Susanna Rowson’s novel “Charlotte Temple” and two grammar books. (MSS 2989)

Finally, in the twentieth century, Shakespeare begins to be studied and to be studied as a father of the English language. Today, Shakespeare is probably the most often memorized, most often recited English author in schools. I still can recite the famous speech of Titania’s from A Midsummer’s Night Dream that I memorized in the tenth grade and that begins “Set your heart at rest.” But as the exhibition at the Special Collections Library will show us in February, our hearts do anything but rest when we hear the heartbeat of Shakespeare’s iambs, even four hundred years after his death.

 

On View Now: American Broadsides to 1860

This week’s feature is a post by George Riser, Collections and Instruction Assistant for the Albert and Shirley Small Special Collections Library.

American Broadsides to 1860 features 72 broadsides—almost exclusively American and dating prior to 1860—drawn from the holdings of the Albert and Shirley Small Special Collections Library. Arrayed in six sections—Proclamations, Political, Military, Goods and Services, Town and Country, and Literary Arts—these examples attest to the broadside’s varied content and breadth of function, while offering a fascinating account of life in early America. They also complement what is perhaps the most significant of all American broadsides: the “Dunlap Broadside” (first printing of the Declaration of Independence) on view in the adjacent Declaration Gallery.” Text by David Whitesell from the exhibition’s introductory panel.

One case of the exhibition American Broadsides to 1860. Photograph by Petrina Jackson.

One case of the exhibition American Broadsides to 1860. Photograph by Petrina Jackson.

The following is a sampling of what you will find in each of the exhibition’s sections.

The earliest broadside on display is found in the “Proclamations” section. “By the King. A Proclamation for the Suppressing a Rebellion Lately Raised Within the Plantation of Virginia,” is King Charles II’s 1676 response to Nathaniel Bacon’s rebellion, which was raging in the fledgling Virginia colony.

Detail of By the King. (fill in). Photograph by Petrina Jackson.

Detail of Charles II (1630-1685). By the King. A Proclamation for the Suppressing a Rebellion Lately Raised Within the Plantation of Virginia. London: Assigns of John Bill and Christopher Barker, 1676. (Broadside 1676 .G744 S63). Photograph by Petrina Jackson.

In the “Military” category, “Boston, 26th of June, 1775,” features a first-hand account, printed just nine days after the Battle of Bunker Hill, offering a somewhat rosy view of the catastrophic attempt to dislodge 1,200 colonial troops who had taken up positions in the hills surrounding Boston.

Boston. Photograph by Petrina Jackson

Boston, 26th of June, 1775. [Boston: John Howe, 1775] (Broadside 1775 .B67). Photograph by Petrina Jackson

In the “Political” section, the “Declaration of the Anti-slavery Convention, 1833,” calls for the formation of a national anti-slavery society—henceforth to be known as the American Anti-Slavery Society—and lists the names of delegates from ten states.

Detail of Declaration of the Anti-slavery Convention. [Philadelphia] : Merrihew & Gunn, [1833] (Broadside .W54 Z99 1833). Photograph by Petrina Jackson.. Photograph by Petrina Jackson.

The “Farm and Country” category features an 1828 broadside advertising a Gander Pull outside of Petersburg, Virginia. A Gander Pull involves the hanging of a neck-greased goose upside down from a scaffold, whereby well-lubricated participants attempt to decapitate the bird as they ride past at full gallop. The event also featured a fish dinner and a barbecue.

Gander Pull. Photograph by Petrina

Gary, Rich[ar]d. Gander Pull. Petersburg [Va.]: Old Dominion Office, [1828] (Broadside 1828 .G27). Photograph by Petrina

Two University of Virginia broadsides are found in the “Goods and Services” section: “Explanations, of the Ground Plan of the University of Virginia,” printed in Charlottesville in 1824. This broadside, printed to accompany Peter Maverick’s 1822 engraved “Plan of the University,” describes the pavilions, locations of the hotels, and the placement of the Rotunda, as well as the general layout of the only partly completed university Grounds. The 1825 program, “University of Virginia. This Institution Was Opened on the 5th Day of March, 1825,” was used to draft the text of the program for the second session of 1826. The first line—“This institution was opened on the 5th day of 1825”—is crossed out and changed in manuscript to read, “will commence its next session on the 1st day of February, 1826.” Other alterations indicate changes made for the second session.

University of Virginia. Photograph by Petrina Jackson.

University of Virginia. This Institution Was Opened on the 5th Day of March, 1825 … [Charlottesville: University of Virginia, 1825?] (Broadside 1825 .U65).. Photograph by Petrina Jackson.

In the “Literary” section don’t miss, “Theatre. On Friday Evening, September 15th, Will be Presented the Grand Operatical Romance of The Forty Thieves.” This 1809 announcement for a performance at the Park Theatre in New York features appearances by both of Edgar Allan Poe’s parents, eight months after his birth. In this dramatization of Ali Baba and The Forty Thieves, Mr. [David] Poe appears as the 1st Robber, Mrs. [Elizabeth] Poe as the clever slave girl, Morgiana.

Forty Thieves. Photograph by Petrina Jackson

Theatre. On Friday Evening, September 15th, Will be Presented the Grand Operatical Romance of The Forty Thieves. [New York: New Theatre, 1809] (PS2630.5 .T54 1809). Photograph by Petrina Jackson

In addition, there are 64 other fascinating broadsides on display, each offering a unique and varied look at American culture in the seventeenth, eighteenth and nineteenth centuries. The exhibition may be viewed in the barrel-vaulted hallway on the first floor of the Harrision/Small building, just outside of the Albert and Shirley Small Declaration Gallery.